"Time Remembered: Blue in Green"
              
               
              We danced
                   so slowly,
                Me — blue, 
                   Her — green. 
              To the most iconic ballad  
                   from the most iconic jazz recording 
                   by the most iconic jazz artist,  
                   Mr. Miles Davis.
              As they played 
                   and sang through their horns,  
                 a light shined
                   so bright 
                   that 60 years was 
                   for her and I
                   a mere blink of an eye. 
              Back and forth, 
                   our dance traversed 
                   Time and Place,
                   remembered. 
              When Time stood still long enough, 
                   long enough for me to feel
                   Five Time Zones coagulating in my being
                   all at once . . .            
              
                Miles’s sinuous trumpet 
                   snaked through my periphery, 
                   more magician than director,
                   more satellite than building.   
              Meanwhile, 
                   Mr. Bill Evans,
                   the creator of the journey Blue in Green, 
                   lifted my arms 
                   and spoke to my hands that held her tight, 
                   as though choreographed by 
                   a cunning spider.
              Her body, 
   caressed by Coltrane's saxophone,
   wandered in my consciousness,
   floating and sinking into my body. 
Feeling echoes of her ancestral 
   yet not-so-distant past, 
   as a single city dweller in Korea,
   dancing with US servicemen 
   during that war.
                 
                The players not knowing how 
                   an original 3-line sketch by Bill would be received. 
                Yet, trusting each other implicitly about 
                   why they were there,
                   in that studio, 
                   that day.  
              
                I never heard so clearly 
                   all their pain,
                   in all that beauty
                   from Five Men, playing.  
                   
                Of private and public torture
                   exacted on those who dared to truly improvise
                   in 1950's America. 
                To 
                   paint non-representationally, 
                   write non-iambic poetry, 
                   choreograph nonsensically.
                amid a decade of omnipresent conformity.
              Feeling each player's family breathe 
                   into this singular ballad, 
                   their neighborhoods streaming 
                   before their eyes and ears,  
                   their teachers praising, yelling, acknowledging, 
                   stunned . . . 
                   
                All the while,
                   intuiting their Great Ancestors
                   who supplied enough 
                   musical wisdom 
                   and pain 
                to stamp their playing forever 
                   with  
                   arms that lifted 
                   and 
                   spoke through their hands. 
                    
                
                Yes, 
                   I was there when 
                   Time Remembered 
                   to turn 
                   Blue into Green…
               
               
               
              June 2019
               
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                ©2019, 
                  Michael Smolens